Regionalist projects of Rogério de Azevedo

In the work of the architect Rogério de Azevedo – mostly realised from end of twenties to forties – the regionalist option was always present. Sometimes by his own initiative, sometimes as an answer to the rules of governmental programmes. Regardless of the condition of the State to work with regional types to built in series, supposedly respectful of local sensitivities, the constraints and technical materials led the architect to adopted techniques and appropriate languages, in a personal interpretation, were modernism and vernacular are mixed. Here a decisive factor is the counterpoint between the project for the city and the project for the rural environment. If in some cases the State order was determinant, in others, particularly in projects of late twenties and early forties, the architect and his vision of the relationship between the placements, the materials available and expressive values that inform his work, are the reason of being of his works.Este texto foi co-financiado pela Fundação para a Ciência e a Tecnologia I.P. (PIDDAC) e pelo Fundo Europeu de Desenvolvimento Regional – FEDER, através do COMPETE – Programa Operacional Fatores de Competitividade (POFC), no âmbito do projecto "Fotografia, Arquitectura Moderna e a «Escola do Porto»: Interpretações em torno do Arquivo Teófilo Rego" (PTDC/ATP-AQI/4805/2012

Collages and photomontages in architectural representation. The photographic works of Teófilo Rego

Graphically manipulated photographs were frequently used to illustrate the impact of the projected building on the existing cityscape or landscape, in particular, in those cases, where the projects had a monumental scale. We discouvered two sorts of documents at Teófilo Rego Archive: on the one hand, the collages and photomontages made by architects and photographed by Teófilo Rego; on the other hand, collages and photomontages made by Teófilo Rego at the commission of architects, a work whose depth seems to indicate the collaboration, a free, curious and imaginative spirit of research and the deepening of the formal and expressive hypothesis proportionated by the commission. In the second group are included the photographs of four projects of the International Competition for the monument to the Infante D. Henrique in Sagres, 1954/1957. The photomontages and collages contained in the specification and in the draft’s process submitted by João Andresen, and the photomontages of the projects by Nadir Afonso and Manuel da Silva Passos Junior must have been a form of project impact statement from their authors, and certainly represent a period of great creativity as concerns Teófilo Rego. All photomontages by Teófilo Rego are constructed images, the result of a rational being, but are also emotional. As his gaze approaches the models, the images become abstract, and deviate from a possible illusion of reality. Whereas the compositions on the territory and the monument demanded a certain expressive naturalism more than realism, it is the geometric abstraction of architectural form that prevails in the close-ups.This text was co-funded with FEDER funds by the Operational Competitiveness Programme – COMPETE and national funds by FCT – Fundação para a Ciência e Tecnologia within the project Photography, Modern Architecture and the “School of Oporto”: Interpretations Around Teófilo Rego Archive (PTDC/ ATP-AQI/4805/2012 - FCOMP-01-0124-FEDER-028054

Rogério de Azevedo’s Regionalist Drift

The work of architect Rogério de Azevedo—mostly built between the late 1920s and the 1940s—always included the recourse to regionalism, whether as a response to government programs or as the architect’s own initiative. Decisive for him was the between the city project the rural project Despite the State’s ability to work with regional types that could be constructed in series, purportedly in line with local sensitivities, a number of constraints and technical led the architect to adopt techniques and to appropriate languages into a singularly personal interpretation in which the modern and the vernacular are combined. If in some cases State order was determinant, in others, particularly in projects of the late 1920s and early 1940s, the architect and his vision of the relationship between the placements, of the available materials and the expressive values that inform his work, are the reason of being of his works.info:eu-repo/semantics/publishedVersio

Uma Escola Chamada Salazar?

From the late 1920’s and throughout the 1930’s Rogério de Azevedo carried on two apparently conflicting careers simultaneously accepting private commissions (mostly in Oporto) and public works (in Northern and Central Portugal). Astride the generations of Marques da Silva, his teacher, and Januário Godinho, a trainee at the time taking part in various projects at Rogério de Azevedo’s offices, his work developed through various programmes in which the sense for the site is never irrelevant and the architectonic object is never indisputably autonomous; it is a process of free interpretation reconciling modernity and tradition, linked together around the site and its history, and refusing to accept a nationalistic manner.info:eu-repo/semantics/publishedVersio

Fotomontagens e colagens

Este texto foi co-financiado pela Fundação para a Ciência e a Tecnologia I.P. (PIDDAC) e pelo Fundo Europeu de Desenvolvimento Regional – FEDER, através do COMPETE – Programa Operacional Fatores de Competitividade (POFC), no âmbito do projecto "Fotografia, Arquitectura Moderna e a «Escola do Porto»: Interpretações em torno do Arquivo Teófilo Rego" (PTDC/ATP-AQI/4805/2012

A presença da obra de Rogério de Azevedo na fotografia de Teófilo Rego

Quando em 1953 Carlos Ramos organiza a exposição de homenagem a Marques da Silva, procurava fixar uma genealogia da ESBAP, uma filiação entre diversas gerações, tanto pedagógica como arquitectónica. Tal exposição reunindo obras do Mestre e de 30 dos seus discípulos continha 120 fotografias realizadas por Teófilo Rego (1914-1993). Rogério de Azevedo fez-se representar por nove obras expressivamente representativas do seu trabalho desde o final dos anos 20 até meados da década de 40. Entre as várias fotografias expostas, as dos Edifícios do Jornal e da Garagem O Comércio do Porto revelam um (re)enquadramento centrado nos edifícios enquanto o céu dramatiza as imagens e a luz modela de forma clarificadora a composições dos alçados. São fotos com pouco chão mas com presença humana. Estão mais próximas do instantâneo que da foto de composição calculada e limpa. O mesmo se pode dizer das várias fotos realizados do Edifício Maurício Rialto ou do Hotel Infante de Sagres. Teófilo Rego interessa-se pelo espaço público, explora diferentes pontos de vista, diferentes lentes e até novos enquadramentos sobre os negativos realizados. Ao contrário de Domingos Alvão (1872-1946) e de Marques Abreu (1879-1958), representante de uma corrente naturalista/pictoralista que não manipulava negativos ou positivos, em Teófilo Rego a manipulação dos negativos e positivos e as impressões não respeitando a integralidade dos originais era praticada. O seu especial entendimento da volumetria e dos espaços, a atenção aos detalhes, sem no entanto estar confinado à preocupação de uma fotografia de ordem documental conducente aos estudos da arte é uma constante do seu trabalho. Não se esgota nas fotos realizadas para a exposição o encontro de Teófilo Rego com a obra de Rogério de Azevedo. No entanto, a exposição constitui o único momento em que talvez seja possível identificar uma relação profissional, se a houve, entre os dois.Este texto foi co-financiado pela Fundação para a Ciência e a Tecnologia I.P. (PIDDAC) e pelo Fundo Europeu de Desenvolvimento Regional – FEDER, através do COMPETE – Programa Operacional Fatores de Competitividade (POFC), no âmbito do projecto "Fotografia, Arquitectura Moderna e a «Escola do Porto»: Interpretações em torno do Arquivo Teófilo Rego" (PTDC/ATP-AQI/4805/2012

REGIONALISM, NATIONALISM & MODERN ARCHITECTURE

PALLINI, Cristina – Modern Architecture in the (re)Making of History. Schools and Museums in Greece, p. 11-23 PIMENTEL, Jorge Cunha – Rogério de Azevedo’s Regionalist Drift, p. 24-39 BIGHAM, Ashley – The Palace as Type. Finding Regionalism in Soviet Modernism, p. 41-53 CARVALHO, Rita Almeida de – The Junta de Colonização Interna and the shaping of the Estado Novo’s peasantry: newness and stagnation of the rural society, p. 54-62 CAPRESI, Vittoria – White Cubism Reloaded. The reinterpretation of Libyan Vernacular Architecture as the Answer to how to build in the Colony, p. 63-75 CESARO, Giorgia – Modernity from Far East. Kazuo Shinohara’s Fourth Space, p. 76-90 CRESCI, Edoardo – Piero Bottoni. Three houses on the Tyrrhenian Sea, p. 91-100 ESENWEIN, Fred – Agrarian Ideals in American Architecture Schools, p. 101-113 HSIAO, Leah – I. M. Pei’s Museum for Chinese Art, Shanghai, 1946. Modernism, regionalism and the search for an architectural representation of national identity, p. 114-127 JADRESIN MILIC, Renata; MADANOVIC, Milica – Romantic Visions vs. Rejection of Ideal Reconstruction, p. 128-143 JANOWSKI, Maciej – The patient searching of new forms of local architecture. Micro-intervention as the strategy of preservation of genius loci in Grison, p. 144-156 KLUSEMANN, Christian – Regionalism in GDR-Modernism of the 1960s and 1970s, p. 157-174 MAIA, Maria Helena; CARDOSO, Alexandra – Nationalism and Rural Modernization. The Spanish Tagus Valley colonization villages in the context of Southern European inner colonization, p. 175-189 MARCOLIN, Paolo – The settlements design of the Boalhosa’s agricultural colony. A dialectical perspective: between tradition and the construction of modernity, p. 190-201 MARGIONE, Emanuela – Italian Modern Architecture Between Rurality and Monumentality. The case study of the Italian New Towns as an experimental territory for the Modern Movement in Italy, p. 202-220 MARICCHIOLO, Luca – The Modern Appropriation of Urban Space Through Mediterranean Medinas, p. 221-236 MELA, Giulia – Luis Barragán and the invention of Mexican Regionalism, p. 237-249 NADOLNY, Adam – A diary of a polish architect and film maker from his travels to the west. Modern Italian architecture in the Polish documentaries dating back to the turn of the 1950s and 1960s, p. 250-264 NEZIK, Christin – The Search for a Contemporary Finnish Architecture. Adaptations of the vernacular tupa in the oeuvre of Herman Gesellius, Armas Lindgren, Eliel Saarinen, and Alvar Aalto, p. 265-280 OLIVEIRA, Tiago Cardoso de – Modern Architecture and Local Tradition in 1950`S Portuguese National Inns (Pousadas de Portugal), p. 281-295 PARRA-MARTINEZ, Jose; CROSSE, John – Lewis Mumford, Henry-Russell Hitchcock and the Rise of “Bay” Regionalism, p. 296-316 PEGIOUDIS, Nikos – An American ‘Parthenon’. Walter Gropius’s Athens US Embassy Building between Regionalism, International Style and National Identities, p. 317-329 PONZIO, Angelica – The [Latin] Modernism of Ponti, Costa and Barragán, p. 330-341 PRISTA, Marta Lalanda – Tradition and modernity in the Portuguese Inner Colonisation: the laboratorial case of Pegões, p. 342-355 ROMA, Chiara – The Space of Pompeian Domus towards Le Corbusier Hospital of Venice, p. 356-369 SAVAŞ, Ayşen – An Early Critique of International Modernism in the Anatolian Context, p. 370-381 SEBESTYÉN, Ágnes Anna – Disseminating the Regional within the Global. Representing Regionalist Ideas and the Global Scale of the Modern Movement in the Hungarian Journal ‘Tér és Forma’, p. 382-398 SIMON, Mariann; LACZÓ, Dániel – Deeply Embedded in Tradition. Interpretations of regional roots for modern Hungarian architecture in the 1960s, p. 399-411 SØBERG, Martin – Regionalism and the Functional Tradition in Danish Modern Architecture, p. 412-423 ŚWIT-JANKOWSKA, Barbara – The Polish Avant-Garde Architecture in the Interwar Period - Regionalism, Nationalism and Modern Architecture, p. 424-436 TERIBA, Adedoyin – Buildings Instead of Discourse. Empathy and Modern Architecture in West Africa, p. 437-448 TSAI, Jung-jen – The Construction of Chinese National Identity and the Designs of National Museums during the Early Post-war Period in Taiwan, p. 449-464 VIKHREVA, Natalia – The Roots of Brazilian Modern Architecture, p. 465-473info:eu-repo/semantics/publishedVersio

Proposta para a qualificação da Avenida Doutor Lourenço Peixinho

Esta proposta constitui mais uma etapa para a construção de um Programa de Qualificação da Avenida Dr. Lourenço Peixinho, dos consequentes projetos e das consequentes ações. O processo iniciou-se com uma fase de discussão pública, de que resultou a publicação “O futuro da Avenida Dr. Lourenço Peixinho”. Este relatório corresponde à entrega de uma encomenda, centrada sobretudo no Espaço Público, mas incluindo também propostas relativas aos Edifícios e não deixando de considerar como desejável que a intervenção inclua ainda um programa de Animação Sociocultural

Mapping the Lisbon potential foodshed in Ribatejo e Oeste: a suitability and yeld model for assessing the potential for localized food production

ArticleResearch on food planning has been recently proposed in North American and European planning to account for how cities might change their food provision to respond to the rising demands for a more sustainable and ethical food system. The purpose of this paper was to evaluate the agro-ecological potential of the Lisbon city region, Ribatejo e Oeste, to increase its Regional Food Self-Reliance (RFSR), through adopting demand restraint and food system relocalization approaches to food system sustainability. Three new diet scenarios were considered: meat-based, plant-based and strict vegetarian, defined in accordance with healthy dietary patterns. We used agro-climatic and agro-edaphic agricultural suitability models to evaluate the agro-ecological potential for RFSR, and proposed the use of Foodshed Landscape Plans within a landscape planning methodology. Results showed the extent of local food production that could improve food self-reliance, with 72%, 76%, 84% of total food needs in the meat-based, plant-based, and strict vegetarian scenarios, respectively. Thus, food system transformation by means of relocalization, is therefore ecologically feasible and would ensure the sustainable use of the ecological basis of food security. Additionally, a dietary transition would imply significant land sparing, which strengthens the demand restraint perspective for a transition to food system sustainabilityinfo:eu-repo/semantics/publishedVersio

A novel case of human visceral leishmaniasis from the urban area of the city of Rio de Janeiro: autochthonous or imported from Spain ?

Submitted by Janaína Nascimento ([email protected]) on 2019-02-07T11:55:47Z No. of bitstreams: 1 ve_Silva_Guilherme_etal_INI_2017.pdf: 476774 bytes, checksum: 117ce9df08684188394f5ff125a0909f (MD5)Approved for entry into archive by Janaína Nascimento ([email protected]) on 2019-02-08T10:52:32Z (GMT) No. of bitstreams: 1 ve_Silva_Guilherme_etal_INI_2017.pdf: 476774 bytes, checksum: 117ce9df08684188394f5ff125a0909f (MD5)Made available in DSpace on 2019-02-08T10:52:32Z (GMT). No. of bitstreams: 1 ve_Silva_Guilherme_etal_INI_2017.pdf: 476774 bytes, checksum: 117ce9df08684188394f5ff125a0909f (MD5) Previous issue date: 2017Universidade Federal do Estado do Rio de Janeiro. Centro de Ciências Biológicas e da Saúde. Hospital Universitário Gaffrée e Guinle, 10ª Enfermaria. Rio de Janeiro, RJ, Brasil.Universidade Federal do Estado do Rio de Janeiro. Centro de Ciências Biológicas e da Saúde. Hospital Universitário Gaffrée e Guinle, 10ª Enfermaria. Rio de Janeiro, RJ, Brasil.Universidade Federal do Estado do Rio de Janeiro. Centro de Ciências Biológicas e da Saúde. Hospital Universitário Gaffrée e Guinle, 10ª Enfermaria. Rio de Janeiro, RJ, Brasil.Universidade Federal do Estado do Rio de Janeiro. Centro de Ciências Biológicas e da Saúde. Hospital Universitário Gaffrée e Guinle, 10ª Enfermaria. Rio de Janeiro, RJ, Brasil.Universidade Federal do Estado do Rio de Janeiro. Centro de Ciências Biológicas e da Saúde. Hospital Universitário Gaffrée e Guinle, 10ª Enfermaria. Rio de Janeiro, RJ, Brasil.Universidade Federal do Estado do Rio de Janeiro. Centro de Ciências Biológicas e da Saúde. Hospital Universitário Gaffrée e Guinle, 10ª Enfermaria. Rio de Janeiro, RJ, Brasil.Universidade Federal do Estado do Rio de Janeiro. Centro de Ciências Biológicas e da Saúde. Hospital Universitário Gaffrée e Guinle, 10ª Enfermaria. Rio de Janeiro, RJ, Brasil.Universidade Federal do Estado do Rio de Janeiro. Centro de Ciências Biológicas e da Saúde. Hospital Universitário Gaffrée e Guinle, 10ª Enfermaria. Rio de Janeiro, RJ, Brasil.Universidade Federal do Estado do Rio de Janeiro. Centro de Ciências Biológicas e da Saúde. Hospital Universitário Gaffrée e Guinle, 10ª Enfermaria. Rio de Janeiro, RJ, Brasil.Universidade Federal do Estado do Rio de Janeiro. Centro de Ciências Biológicas e da Saúde. Hospital Universitário Gaffrée e Guinle. Serviço de Anatomia Patológica. Rio de Janeiro, RJ, Brasil.Fundação Oswaldo Cruz. Instituto Nacional de Infectologia Evandro Chagas. Laboratório de Pesquisa Clínica e Vigilância em Leishmanioses. Rio de Janeiro, RJ, Brasil.Fundação Oswaldo Cruz. Instituto Nacional de Infectologia Evandro Chagas. Laboratório de Pesquisa Clínica e Vigilância em Leishmanioses. Rio de Janeiro, RJ, Brasil.Fundação Oswaldo Cruz. Instituto Nacional de Infectologia Evandro Chagas. Laboratório de Pesquisa Clínica e Vigilância em Leishmanioses. Rio de Janeiro, RJ, Brasil.Fundação Oswaldo Cruz. Instituto Nacional de Infectologia Evandro Chagas. Laboratório de Pesquisa Clínica e Vigilância em Leishmanioses. Rio de Janeiro, RJ, Brasil.Fundação Oswaldo Cruz. Instituto Nacional de Infectologia Evandro Chagas. Laboratório de Pesquisa Clínica e Vigilância em Leishmanioses. Rio de Janeiro, RJ, Brasil.Fundação Oswaldo Cruz. Instituto Nacional de Infectologia Evandro Chagas. Laboratório de Pesquisa Clínica e Vigilância em Leishmanioses. Rio de Janeiro, RJ, Brasil